Concert 1. Wednesday 5 October 2011 8pm Print

BENJAMIN GROSVENOR (Piano)

 

PROGRAMME  

Bach Partita No. 4
Beethoven

Sonata No.30 in E, Op.109

Albeniz Iberia, Book 1

Chopin-

transcribed Liszt

My Joys. & The Maiden's Wish

Liszt En reve
Liszt

Rhapsody Espagnole

 

  

Keyboard Final Winner in the 2004 BBC Young Musician Competition at the age of 11, Benjamin has become an internationally regarded pianist performing concerti with renowned orchestras.  This summer he will become the youngest-ever soloist in the history of the Proms when he plays Liszt's Second Piano Concerto on the opening night.  Benjamin has been enrolled into the BBC's prestigious New Generation Artists programme; each year this gives a small number of musicians from around the globe the chance to perform in live and studio concerts, in solo recitals and in concerts with BBC orchestras.

 

“A Keyboard Visionary . . . The ‘vocabulary’ of Grosvenor’s ‘piano dictionary’ knows no bounds . . .” Der Süddeutschen Zeitung   

 

“Grosvenor's performance was so alluring, so alive to the music's poetry, and so colourfully detailed”.  The Telegraph

 

   

 

REVIEW

 

A Superb Start to the Ilkley Concert Club Season

 

My review of the final concert of the last season ended, 'Wow!' And this one merits the same reaction. The young pianist appeared twice in this year's Proms playing concertos by Liszt and Britten with total assurance; so we had no doubt that he would be up to the demands of the more virtuosic music by Albeniz and Liszt in his programme.

 

More remarkable was his approach to the less showy music that began the concert, starting with Bach's Fourth Partita in D major. Throughout, the crystalline clarity of his playing ensured that we heard all the detail in the part-writing, especially in the florid introduction to the Ouverture and in the final Gigue which was despatched with huge panache. There was expressiveness too and he was not afraid to use the resources of the modern grand piano to phrase the flowing beauty of the Allemande and the pensive Sarabande in a way that the harpsichord would not be able to. If there is a heaven then surely Bach is there and he would have approved.

 

Beethoven was a master improviser and Grosvenor brought out the improvisatory quality of the first movement of Sonata in E major op.109. The scherzo had all the power it required. In this music there is so much more than mere notes to conquer and for a young pianist, approaching 'late' Beethoven must seem daunting, but the impressive performance of the wonderful variations that followed showed mature understanding.

Playing three movements from Albeniz's Iberia he transported us to Southern Spain with its sensual languor, the sounds of guitars and heady excitements of a religious procession all vividly portrayed. Liszt's over-elaborate transcriptions of Chopin songs were deftly played and his flashy Rapsodie Espagnole was performed for all it was worth, (and more!) The audience loved it.

 

As an encore he gave us Sousa's Stars and Stripes, playing it even faster and more accurately than Horowitz the arranger did. If you want proof Google Stars and Stripes Horovitz. Wow!

G.K.

 

The following recordings were recommended in the programme:

 

Bach

The most economical way to purchase one of the best performances is on Sony 88697226952 (medium price), where Murray Perahia plays Partitas Nos. 2-4.

 

Beethoven

Mitsuko Uchida's highly acclaimed CD of the last 3 Sonatas is on Decca 475 6935 (full price). A good budget alternative is provided by Jeno Jandó on Naxos 8.550151.

 

Albéniz

Alicia de Larrocha's earlier, and more desireable, recording is available either on EMI 361 514 2 (2 CDs at medium price) coupled with Granados, or on an 8 CD set, costing slightly more than I full price disc, as EMI Icon 629 486 2 containing more Spanish piano pieces.

 

Chopin/Liszt & En Rêve

Benjamin Grosvenor's new disc covers these items admirably on Decca 678 3206 (full price). The couplings are Chopin pieces and Ravel's Gaspard de la nuit.

 

Liszt Rhapsodie Espagnole

There is an excellent cheap version, including other Liszt pieces, played by Stephen Hough on Virgin 562 480 2. However, an all Liszt 5 CD set performed by György Cziffra on EMI 648 351 2 (5 CDs for the price of 1 full price CD) has more passion and fire. The box contains all the Hungarian Rhapsodies and the Transcendental Studies.

 

Raymond Waud.

 

CLUB NOTES

 

WELCOME TO OUR NEW MEMBERS

Every year we are happy to welcome new Season Ticket holders; you automatically become Members of Ilkley Concert Club. Some of you have had had to wait a year; thanks for your patience.

 

Let me explain what happens when we allot seats. First of all we fill the seats of the 80% of Patron Members from last Season who want to stay put (Priority 1 – priorities are explained in each Season's Brochure). We then count the number of vacant seats – typically between 5 & 10% of the hall. We use some of these vacancies to accommodate the Patron Members from last Season who want to change their seats – most want to move closer to the stage, releasing seats towards the rear of the auditorium. Next we deal the people who applied last next Season but failed to get a seat (Priority 3). We then fill the remaining seats with new applicants, in order of receipt of application (Priority 4). Those who applied for this season but did not get in are then put on the waiting list for next season and will be assigned Priority 3, assuming that they apply, of course.

 

WHERE DO OUR NEW MEMBERS COME FROM?

 

The continued success of the Club depends on our working hard to fill the seats vacated by those 5-10% each year who decide not renew their Membership. All Members can help to do this. The evidence is that many of our new members are people who have bought "Returned" tickets for individual concerts in the previous season. As a Member, if you cannot use your seat(s) for a particular concert, please let us know if you cannot come. To make it simple all your need to do is phone call or email to tell us that you will not be coming – there is no need to return the ticket, all we need is your name (& seat number if you have it).

 

If you know that you cannot come to any of the concerts, phone or email

David Pyett (01943 609744 or  This e-mail address is being protected from spambots. You need JavaScript enabled to view it )

before midday on concert day. We do our best to re-sell your seats. If we succeed you can pick up a refund at the following concert.

 

Finally, please talk to your friends about Ilkley Concert Club and tell them about the great concerts you come to. Encourage them to contact us so that they can be put on our mailing list.