Concert 7. Wednesday 17 April 2013 8pm Print








Schumann 3 songs from 'Myrthen' op. 25
Schumann Song Cycle 'Frauenliebe und -leben' op. 42
Fauré Song cycle 'Le Jardin Clos' op. 106
Roussel Four songs
Richard Rodney Bennett    'A history of the Thé Dansant'



Sarah Connolly has become one of the world's most sought after mezzos. As well as a busy international opera, concert and recital career, she has made many acclaimed recordings.



One of the leading accompanists of his generation Malcolm Martineau has performed with many of the world's greatest singers, including Sir Thomas Allen and Bryn Terfel.



In 1840, the year of his marriage to Clara,

Schumann composed an astonishing 168 songs, including all the ones we will hear.


The artists will then perform contrasting songs written in the decade of WW1 by Fauré and Roussel.


Finally one of Britain's great film, jazz, concert and opera composers quirkily recalls the Tea-Room dances of the 1920s.

"Connolly sings an uncommonly melancholy, introspective Frauenliebe und leben ... It is a psychologically convincing reading." DAILY TELEGRAPH


"Malcolm Martineau is an absolute equal partner"...  SUNDAY TIMES 





A Celebrity Recital Draws in the Crowds


Vocal recitals have often been the least well attended event in an Ilkley Concert Club season, but such is mezzo-soprano Sarah Connolly's reputation that there was huge demand for tickets leaving no empty seats in the house. The cleverly structured programme was adventurous, well known Schumann lieder in the first half but less familiar French fare after the interval. There had been a last-minute change from what was advertised, with some brief vignettes by Poulenc and Honegger substituting for a rarely heard Fauré song cycle that made for a somewhat brief evening's entertainment.


The audience response was very positive, with prolonged applause and much cheering at the end, yet especially in the first half I felt out of step with this degree of enthusiasm. Hers is big voice used to projecting in major international concert halls and opera houses and in the Schumann songs there was a harshness in the tone that did not suit the music. Furthermore it was not always easy to hear the words.


Things improved in the second half because she had by then got the measure of the hall's acoustic and sang with less effort. She seemed more at home in the French repertoire with its allusive and sometimes ironic style. The impressionist Roussel songs were imaginatively done and she showed a keen sense of humour in the Poulenc and Honegger items. Her love of jazz stood her in good stead for the concluding Richard Rodney Bennett mini-cycle which she performed stylishly.


Her accompanist was Martin Martineau and he was superb throughout the evening, responsive to every mood of the music and whilst far from self-effacing, he never upstaged his partner. His playing was always expressive, never more so than in the poignant ending of Schumann's Frauenliebe und Leben. He was always 'with' his soloist and entered into the spirit of the lighter items gleefully. His spoken introduction about the substituted items was a model of wit and concision; a major contribution to the evening.


Geoffrey Kinder


The following recordings were recommended in the programme:



Bernarda Fink (mezzo) with Anthony Spiri (piano) give a lovely performance of Op.25 on Harmonia Mundi HMC 902031 (full price). The couplings are Liederkreis Op.39, with the Mary Stuart Lieder and, as usual, Harmonia Mundi's production standards are excellent.


Schumann-Frauenliebe und Leben

An opportunity to hear the late-lamented Lorraine Hunt-Lieberson (mezzo) with Julius Drake (piano) in this work should not be missed, on Wigmore Hall Live WHLive 0024 (medium price). The couplings are 8 Brahms Songs. Sarah Connolly has an excellent recording accompanied by Eugene Asti (piano) on Chandos CHAN 10492 (full price). The couplings are other Schumann Songs including Liederkreis Op.39.



An excellent Brilliant Classics set of all the Fauré Songs at less than the price of a full price CD (92792), has Elly Ameling (soprano) and Gérard Souzay (baritone) accompanied by Dalton Baldwin (piano). Elly Ameling sings "Le Jardin Clos", and the original EMI recording has transferred well to CD.



There seem to be very few recordings of this composer's songs, and the only comprehensive collection is on Timpani 2C2150 (2 CDs at full price). Various artists share the set.


Richard Rodney Bennett

Sarah Connolly and Malcolm Martineau have a very good recording of English Songs, including this work, on Chandos CHAN 10691 (full price). The recording quality is excellent.


Raymond Waud.






2 October 2013

David Pyett Celebration Concert, sponsored by Club Members


From David's wish list – Aaron Copland's "Appalachian Spring" for 13 instruments conducted by Richard Howarth, plus more splendid music by Bach, Poulenc, Britten and Grainger, and musical surprise in honour of David.


13 November 2013


"Hearts of peace under an English Heaven"

Bridge, Britten, Elgar

". . . total focus, unflagging energy, bottomless technique and, perhaps most important, rare musical insight and a profound level of cohesion." Denver Post


11 December 2013

FLORILEGIUM Baroque Ensemble

Telemann, Handel, Marais, Leclair, Rebel & Vivaldi

"They climbed the heights of dancing bliss and left the Wigmore sighing with pleasure." The Times


8 January 2014


Suk, Martinů & Dvořák
"The superb blend of the strings . . . powerful rhythmic presence and, naturally consummate musicianship – all were there." Westmoreland Gazette


12 February 2014


Bach, Lekeu & Beethoven

"The buzz about British violinist Jack Liebeck is well-founded." Gramophone


12 March 2014


Finzi and Saxton song cycles and songs by Ireland, Butterworth, Gurney

Williams sang ". . . with the wonderful evenness of tone, immaculate diction and careful shading he brings to everything he sings." The Guardian


9 April 2014


Mozart, Reicha, Stravinsky, Irvine Fine, Debussy, Françaix, Parker

"One of the highlights (of the Presteigne Festival) was the Galliard ensemble."
The Independent


14 May 2014

JOHN LILL (piano)

Mozart, Brahms, Beethoven (the Hammerklavier sonata)

"John Lill is, without a doubt, one of the finest pianists at work today . . ." Seen and Heard International, October 2010